Hard-edged Southern rock, Americana roots country – The Steel Woods return to The Grey Eagle in Asheville NC for TWO nights on June 4 & 5!!
- ALL AGES
- 9PM SHOW, 8PM DOORS
- STANDING ROOM ONLY
THE STEEL WOODS
With a pair of critically acclaimed Woods Music/Thirty Tigers releases under their belts in Straw in the Wind (2017) and Old News ¬(2019), Nashville-based The Steel Woods have lived up to their name as a hybrid musical force both in the studio, but especially live.
The band’s two original members are native sons of the south who both hale from small-town backgrounds. The Alabama-born Wes Bayliss played harmonica from the age of eight in his family’s gospel band, eventually teaching himself piano, bass and drums. Jason “Rowdy” Cope turned his love of Jimmy Page and Jimi Hendrix into a career as a session guitarist/songwriter and producer, moving to Los Angeles, then playing in Jamey Johnson’s band for nine years. The two met in Nashville playing for the same cover band in some out-of-town dive, and immediately discovered an affinity for each other.
Part hard-edged Southern rock, part Americana roots country folk, man-made, yet organic, rock but also bluegrass, R&B, blues, gospel, soul and heavy metal, The Steel Woods’ completed their first recordings barely months after they first met before being joined by current bassist Johnny Stanton.
And while their albums have received kudos, it is live where The Steel Woods truly shine, expanding on the blueprints on record, involving the crowd in a joyous, communal experience.
“We want to get good songs out to a bunch of people who need them,” says Wes. “We just want to make a living making music because it’s the greatest job in the world. I don’t mind working, but I prefer loving what I do.”
Over the course of just over three years as a band, The Steel Woods have toured with fellow Southern rockers like Cody Johnson, Cody Jinks, Whiskey Myers and Blackberry Smoke as well as inspirations such as Lynyrd Skynyrd and Miranda Lambert, performing in Europe for the first time last year. In between another hectic year of concert dates, The Steel Woods are also preparing to release their third studio album for Woods Music/Thirty Tigers.
“We’re going to tour these two records and do everything in our power to do them justice and get our music out to our fans,” says Wes.
Rolling Stone said The Steel Woods repurposed their cover of Tom Petty and the Heartbreakers’ “Southern Accent” into a “roaring… Southern rock power ballad,” while Saving Country Music raved, “Though there is not a shortage of Southern rock bands, few have the edge and darkness The Steel Woods bring to the table.”
All upcoming dates can be found on their website at thesteelwoods.com.
THE WILDER BLUE
Texas-based outfit “The Wilder Blue” travels the borderland between musical genres, busting down the gates that separate country, bluegrass, folk, and acoustic rock.
Primary front man and songwriter Zane Williams was already a well-established solo act with a loyal fan base and seven albums under his belt when he reached out to fellow Texas troubadour Paul Eason about starting a band. Paul had three solo albums of his own, not to mention a coveted side-man position playing lead guitar for Texas legend Kevin Fowler, but was immediately intrigued by the project.
Houston-based drummer Lyndon Hughes was next hop on board, bringing his passion for group vocals and extensive engineering and producing experience working with artists like Cody Johnson, Sundance Head, Roger Creager, David Grace, and more. A jam session at a demo studio brought them all together with multi-instrumentalist and singer Andy Rogers on banjo, dobro, mandolin and guitar, and the chemistry was immediate. Eventually the band’s unique vocal blend crystallized with the addition of Austin’s own Sean Rodriguez on bass and vocals.
Recorded in Austin and Houston over a period of eleven months, the debut album entitled “Hill Country” takes the listener on a sprawling journey through twelve original songs arranged, produced, and performed by the band members themselves. New recordings are financed by monthly contributions from fans, who receive access to exclusive content at www.thewilderblue.com.